How the Indian audience evolved and hyper-realistic film makers were left behind There was a Karan Johar era of romance in India when the Khans and the middle aged biggest stars still holding on to the illusion of stardom today were at the peak of their cinematic careers in India. This era can be traced... Continue Reading →
‘Naticharami’- A change in wind for Kannada cinema
(This critique is published at and owned by E-Cine India, September 2021. ISSN - 2582-2500. Authored by yours truly.) Mansore decided to push the boundaries of an entire film industry that did not affirm to him its readiness for content beyond its traditional penchant when he made Naticharami. Kannada film industry has had its... Continue Reading →
Parasite: A Critical Look at Class Struggle in Cinema
The author reflects on the high expectations for the film Parasite, which won four Academy Awards, including Best Film. The movie masterfully depicts class division through a captivating story of a poor family's manipulation of a rich one. Its innovative symbolism and profound themes highlight societal realities, earning widespread acclaim for Bong Joon-Ho.
Unconventional Humor in ‘Horrible Bosses’ Movies
The author reflects on their enjoyment of the "Horrible Bosses" films after being focused on period dramas. They appreciate the comedies for their genuine humor and unconventional storylines about three men dealing with terrible bosses. The lead actors and supporting cast contribute to the films' charm, making them highly enjoyable.
Anna Karenina | Keira Knightley | Joe Wright | Netflix
Leo Tolstoy's portrayal of Russian high society is intricate and detail-oriented, exemplified in the adaptation of "Anna Karenina." The film, directed by Joe Wright, captures the theatrical essence of the story, emphasizing Anna's struggle between love and social status. It's a captivating, emotionally complex experience, compelling viewers to reflect on Anna's character and choices.
‘Dreams’ by Akira Kurosawa – the auteur one
Akira Kurosawa's final film, "Dreams," presents eight vignettes reflecting his personal dreams and moral themes. While not commercially successful, it sparked diverse reactions, from praise for its artistic exploration to criticism of its perceived simplicity. The film serves as a complex blend of biography, social commentary, and creative expression, inviting varied interpretations.
‘Sufiyum Sujathayum’ review: The madness of forbidden love
Perhaps the greatest of literature and art created on love are created on unrequited/forbidden love. There is an intoxicating quality about separation in unrequited love that is a comfortably recurring theme in literature because there’s so much to say yet so little that gets said. The possibilities for interpretative artwork is endless - especially in... Continue Reading →
9 reasons why Pather Panchali is a parallel to modern cinema
Pather Panchali by Sathyajit Ray heralded a new wave in Indian cinema when Indian cinema was just starting out. It is a classic that is parallel to modern cinema for notable reasons.
The Great Indian Kitchen review – A perfect movie with an uncalled diversion
The Great Indian Kitchen portrays the struggles of a Malayali bride confronting patriarchy through a monotonous domestic routine. The film reflects the universal plight of Indian women, capturing realism while incorporating symbolisms. However, the narrative weakens during a religious sequence that diverges from reality, diluting its powerful message about women's oppression.
The White Tiger: Dissecting Realism in Film
The White Tiger film, based on Arvind Adiga's acclaimed novel, continues the narrative of poverty in India, drawing comparisons to Slumdog Millionaire. While captivating, it raises questions about realism, depicting extreme behaviors that distort authentic experiences. Despite this, the compelling story of Balram Halwai stands out, with Adarsh Gourav's performance impressing audiences.