Made of movies, books and literature. Occasionally there's a penchant for social commentary.
Tulip Fever is another one of those movies that make you never rely on critics’ reviews. This is a movie based in the seventeenth century whose storyline very well resonates in the 21st. A critic went as far as calling the movie tone-deaf; and I must either be a viewer uncomprehending of movie standards, or... Continue Reading →
The recent Ramayana trailer featuring Ranbir Kapoor has garnered criticism for failing to meet expectations of a Rs.4000 crore film. The trailer is perceived as resembling a low-budget Hollywood production, lacking the grandeur associated with its budget. Concerns about casting and storytelling have led to doubts about the film's success among audiences.
"Materialists," directed by Celine Song, presents a cynical yet relatable take on modern love through NYC matchmaker Lucy, who prioritizes wealth and status in relationships. With a visual style reminiscent of 90s rom-coms, the film explores the tension between financial security and emotional connections, prompting profound reflections on romantic choices.
The opening twenty minutes of Steven Spielberg’s 1998 magnum opus, Saving Private Ryan, did more than just redefine the war genre; it recalibrated the collective consciousness of how we perceive historical conflict. For decades, Hollywood had sanitized the battlefield, often painting war with the broad, heroic brushes of a romanticized past. Spielberg, however, chose a... Continue Reading →
Emerald Fennell’s 2026 adaptation of Wuthering Heights has sparked debate as a bold reimagining rather than a faithful retelling. Starring Margot Robbie and Jacob Elordi, it emphasizes toxic relationships while omitting the novel's latter half. The film's modern aesthetic and intimacy polarize critics, appealing to younger audiences and reigniting interest in Brontë's original work.
The author reflects on their first encounter with anime, specifically "Grave of the Fireflies," a poignant anti-war film by Isao Takahata. Set during WWII, it explores the struggles of two siblings amid the devastation of war. The film serves as a vital cultural memory, emphasizing the importance of understanding historical sacrifices through storytelling.
Life of Pi, a personal favorite since its 2012 release, captivates with its rich character development, particularly Pi's emotional intelligence rooted in faith and unique experiences. The film’s portrayal of the tiger, Richard Parker, challenges viewers' interpretations of survival and companionship. Ang Lee's masterful direction ensures a profound, enduring cinematic experience.
The film Dhurandhar has sparked intense debates between its admirers and critics, reflecting broader political divisions in India. Critics label it misogynistic, while supporters celebrate its realistic portrayal of nationalism. This shift in perspective among Indian youth highlights a growing rejection of self-loathing narratives, embracing national identity and challenging historical biases.
Karate Kid Legends is a sequel to the original Karate Kid, featuring a Chinese lead, Li Fong, played by Ben Wang. While the storyline lacks depth, it excels in showcasing Karate and Kung Fu, highlighting Jackie Chan's enduring charm. The film's appeal largely stems from nostalgia and strong casting, particularly Aramis Knight's performance as Conor Day.
The author expresses disappointment with Universal Pictures' 'Wicked,' praising its grand aesthetics but criticizing the lackluster musical elements and character development. Despite high expectations, the film fell short, with unengaging songs and a confusing storyline. The author remains hopeful for the second part but did not enjoy this installment.