There’s simply nothing to not like about a movie featuring Dulquer Salman and Parvathy in lead manic pixie dust characters that forgo the norm and wander in search of an elevated sense of meaning. In the process, they end up finding one another – or one finding another – just as the audiences would want... Continue Reading →
Maheshinte Prathikaaram – the extremity of realism
I don’t exactly make new year resolutions but the one to be binging on Malayalam movies in 2021 was made under the much welcome recommendations of a student who has breathed down my neck about it. I’ve watched just one Malayalam movie so far and that is Kumbalangi Nights, criticising which I managed to win... Continue Reading →