Made of movies, books and literature. Occasionally there's a penchant for social commentary.
“Any film may well be deconstructed, or even destroyed with a critical approach. The idea, however, cannot be killed.” The makers of Dvamdva, 2023 Kannada film that has been screened at various film festivals believe firmly that the ‘bridge film’ (a term that has been used by the team to refer to a film that... Continue Reading →
[This essay has been recognized with a 'Certificate of Merit' at the Chidananda Dasgupta Memorial Film Criticism competition organized by FIPRESCI-India. The essay has been published and owned by the same. Published version available here.] In a world where faith plays a role bigger than most tangible forces, a filmmaker subjects himself to hand burns... Continue Reading →
Malayalam cinema has evolved significantly, exemplified by Rojin Thomas' film "Home." This movie showcases the ordinary life of Oliver, reflecting modern themes like technology, familial relationships, and mental health through relatable storytelling. Though simplicity is key, the characters are well-developed, making "Home" a notable example of feel-good, realistic cinema.
When Bollywood makes movies based on Indian accomplishment stories, they’re generally much awaited despite the fact that the entire viewer base already knows the story. We love to cherish the country’s accomplishments and are willing to pay to watch a story retold in a visually elaborate manner. It makes us feel like we’re watching history... Continue Reading →