Made of movies, books and literature. Occasionally there's a penchant for social commentary.
The author shares their challenging experience during the first trimester of pregnancy, characterized by severe food aversion, gastritis, and chronic fatigue. Despite the difficulties, including nausea and a lack of energy while working, they found ways to manage symptoms with thick fluids and medication. Ultimately, the experience led to personal growth and reflection.
Emerald Fennell's upcoming adaptation of Wuthering Heights, featuring Margot Robbie and Jacob Elordi, ignites debate about its sensorial approach to the Gothic classic. Critics worry modern aesthetics may overshadow the original's raw dread, while Fennell aims to capture the novel's psychological depth through immersive visuals and sound, challenging traditional adaptations.
There's no bounds to how much I miss this dumb cat. He wasn't even ours, he just chose us one day and decided he'll be the boss of our home and wrap us all around his little finger. He'd come and go at any point and meow until his cries echoed at least 4 kilometers... Continue Reading →
The author reflects on their struggles with overthinking, which leads to existential dread and diminishes life’s experiences. They express gratitude for not sinking into the depths of despair portrayed in classic literature by Dostoevsky and Rand, while contemplating a return to such challenging reads after a long period of fantasy fiction.
Langston Hughes's poetry, particularly "The Negro Speaks of Rivers," uses river symbolism to explore the Black experience, connecting personal and collective histories. Rivers signify endurance, memory, and cultural continuity, illustrating resilience against oppression. By referencing rivers like the Euphrates, Congo, and Mississippi, Hughes emphasizes racial pride and the transformative power of heritage.
Every once in a while, a movie concept comes along that is so undeniably charming, so wonderfully weird, and packed with so much star power that you have to stop and ask yourself if you’re hallucinating the press release. That is precisely the vibe surrounding the upcoming live-action/CGI hybrid film, The Sheep Detectives (originally titled... Continue Reading →
The nineteenth century was a crucial period for women's poetry, often overshadowed by a few recognized figures. Poets like Alice Meynell, Frances Ellen Watkins Harper, Mathilde Blind, Amy Levy, and Michael Field navigated societal confines, addressing themes of feminism, race, and modernity. Their contributions enrich understanding of the era's literary landscape and inspire today's writers.
Percy Bysshe Shelley's "Ozymandias" encapsulates profound irony, illustrating the stark contrast between human ambition and the relentless passage of time. The poem portrays Ozymandias's intended eternal legacy, now reduced to ruins and a distant memory. Ultimately, it highlights the enduring power of art and nature, overshadowing the fleeting nature of political power.
Seamus Heaney’s "Digging" reflects on the convergence of manual labor and artistic identity, portraying the tension between heritage and self-discovery. Through vivid imagery and tactile language, Heaney elevates both the labor of his ancestors and the act of writing, asserting that the pen can cultivate truth much like a spade.
Robert Lowell’s "Skunk Hour" marks a pivotal transition in 20th-century literature, moving from formalism to Confessional Poetry. Set in a decaying Maine town, it explores themes of isolation, societal collapse, and mental instability. The poem contrasts human emptiness with the survival instincts of skunks, ultimately emphasizing resilience amid despair.